Tag: romance

What’s the worst thing you’ve ever done? “The Drama” (2026)

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directed by Kristoffer Borgli
© 2026 A24. All Rights Reserved.

Perhaps rushing with marriage isn’t such a bad idea. You don’t have much time to really get to know the other person and then, when it’s done, you prefer to keep the ring on instead of paying for divorce. Being romantic is my superpower, I know. Today’s film points out two important issues that we don’t talk much about, so I’m positively surprised after watching it. Emma and Charlie (Zendaya & Robert Pattinson) are cute love birds that after a two-year relationship are about get married in few days. They seem to be a great match, but one evening changes everything. The couple share a drink with friends and at some point each person reveals something horrible they’ve done in life. When Emma tells her secret, everyone finds it incredibly disturbing. Charlie begins his inner battle, because he seems not to trust his fiancée anymore. Even though he’s spent two amazing years and fallen in love with his other half, suddenly it seems as if he was about to marry a stranger. A stranger with a dark past. This film isn’t just a romantic drama where lovers have an argument. To me this story shows two significant things. First, it reminds us that we’re no angels and if you believe your partner is purely good – then you’re either naive or have been dating for a week. We have all done something shameful and it’s actually worth sharing with our beloved one. This way you bond on a different level, because you open up showing your true and raw self. I hope being truthful and genuine will become a new couple trend. Gen-Z or Alpha babies – that’s your job. Second, the film also made me think how unprepared our society is for struggling people. What I mean is that if you share for example your mental problems with your friends, colleagues or even a neighbour, you might get judged and/or pushed away. And if you keep that to yourself, everything’s fine, you’re still in the “social club”, you go to parties, share drinks with besties and just one day the ambulance becomes your personal taxi to a psychiatric ward. But then, if you tell them about your struggles, they may leave you alone and it may intensify your symptoms. So, what’s the right thing to do? I can’t tell you, but I make sure to stay honest and talk about my struggles in order to accustom people to reality that they often run away from. Highly recommended.

My rating: 7/10
S.

Birdie Num Num. “The Party” (1968)

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directed by Blake Edwards
© 1968 United Artists. All Rights Reserved.

We need a bit of comedy to relax, right? Recently, I’ve been watching quite difficult productions and I feel like letting my brain have some days off. Today, I’d like to recommend you an adorable and horribly goofy film from the 60s, which is a proof that white people create irrational problems. But first, let me share a few words about the plot. Hrundi V. Bakshi (Peter Sellers) is an actor of Indian origin. He’s a bit clumsy and makes a huge mess on a film set. The head of the studio wants to write his name on the blacklist, but accidentally the actor ends up on the guest list of the upcoming party. Hrudi gets an invitation and accepts it, which means he ends up in a huge richman’s house with lots of vain white human parasites. It’s clear that it’s not the social level he’s used to and most interractions with others turn out quite funny. At some point, Hrundi meets Michèle (Claudine Longet), an aspiring actress, who doesn’t seem to be prejudiced against him purely based on his skin colour. The party continues and what comes out of it is for you to see. Many reviewers were outraged that someone dared to paint their face brown and pretend to be Indian. That’s so disrespectful! Mhm… yeah, and in the meantime, people in India loved the comedy. Even the Indian Prime Minister Indira Gandhi recommended this film, praising it for Hrundi’s lines. And it’s true that the Indian actor is presented as a very good human being. Plus, in Bollywood productions they often make fun of themselves and nobody gets actually offended. So some white people should get the sticks out of their butts, sit on the sofa and enjoy a good laugh straight from the 60s.

My rating: 6/10
S.

He ain’t schtulpig. “Witness” (1985)

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directed by Peter Weir
© 1985 Paramount Pictures. All Rights Reserved.

Who would have thought that criminals want to catch an Amish boy… Interested? So let me tell you more. We’re going back to the 80s, where we can admire Indiana Jones in a bit different costume and role. Detective John Book (Harrison Ford) has to solve the case of an Amish boy, Samuel (Lukas Haas), who’s been a witness of a murder. The boy doesn’t recognise the murderer among the criminals he gets to see, but at some point he focuses on a police officer. When Book starts digging, he realises that the same officer has had some shady business with drug dealers. The more the detective analyses the case, the more he puts himself in trouble. It’s because several colleagues turn out to be untrustworthy, so it seems like Book has to count on himself only. And the Amish boy. Speaking of Samuel, since he recognises the murderer, his life is in danger. That is why Book drives the boy and his mother to their Amish community village, but due to unexpected events, he stays there for longer. I’m a sucker for those action films from the 80s, because they remind me of my childhood. This one is quite specific, because not only we get an exciting crime story to follow, but also there’s a culture and tolerance lesson there. The Amish are seen as extreme believers, who give up on common goods in order to life simply and in accordance with their values. To most of us it may seem ridiculous, but thanks to this film we may learn more about their community. I’m not saying you have to throw your mobile phone away and start milking cows in the middle of nowhere, but perhaps a bit of communication and understanding would be helpful for both sides. Anyway, Harrison is magnificent, as always, so there’s no way you will get bored watching this production. Make sure to find out who wins – corrupted police officers or a smart Amish boy?

My rating: 7/10
S.

I’m an angel. See the wings? “Good Fortune” (2025)

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directed by Aziz Ansari
© 2025 Lionsgate. All Rights Reserved.

Aziz Ansari has just shared his debut feature film with us and it’s actually quite decent. I mean, I can tell who made this comedy because its humour is so much in Ansari’s style. We get to know Gabriel (Keanu Reeves), who’s a guardian angel responsible for saving people who are texting and driving (very important job, don’t laugh). One day, he saves Arj (Aziz Ansari), a poor guy whose life is a mess and he struggles with literally everything, from work to love life. Even though Gabriel shouldn’t interfere, he obviously does and that leads to Arj changing places with a rich guy and Arj’s ex employer named Jeff (Seth Rogen). It seemed like a great idea, but the consequences are rather complicated. When Gabriel’s supervisor finds out about his actions, the angel loses his wings and powers. Things might get back to normal only if Arj changes places with Jeff again. But to do that, Arj has to want to change, and as you might be guessing, he is loving his new wealthy life. So now, powerless Gabriel and broke Jeff are trying to survive and come up with an idea to fix everything. I definitely loved the idea and all the small details that make the story really funny. Perhaps I got a bit bored in the middle because of the screenplay, which could have been slightly polished, but other than that I think it’s a perfect film for a movie night with friends. I could tell you that this story teaches us a lesson that money can’t buy happiness, but in fact… it’s not true. I guess we all know what world we’re living in and Ansari uses this sad reality to entertain us. The three main actors were chosen wonderfully and I hope they will get a chance to meet in this team again. Also, I praise his debut and I hope that Ansari will keep on exploring his path as a film director. Because this path is quite promising.

My rating: 6/10
S.

The colour, the luster, the luminescence. “The Girl Who Cried Pearls” (2025)

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directed by Chris Lavis & Maciek Szczerbowski
© 2025 National Film Board of Canada. All Rights Reserved.

If you’ve been following me for some time, you may probably know that I’m a huge fan of stop-motion animation. And no matter what, I will always support such films. Luckily, this short is not only technically beautiful, but also moving when it comes to the story. A grandfather is telling his granddaughter a story about an unusual girl. She was very miserable and, instead of tears, she was crying pearls. One day, her neighbour noticed that and wanted to see whether those pearls are real. When he found out that they are indeed of a significant value, at first he wanted to sell them and improve his life situation. However, seeing the girl suffering so much was heart-breaking and the boy decided to do everything to make her happy, even though it means no more pearls to sell. It’s an adorable story about, well, being a decent person. Maybe it’s not that complex and surprising, but it’s simply pleasant. I’m sure that both children and adults might find something interesting for themselves in this film. As I said, I love every stop-motion animation, so maybe I’m not objective, but in the end – my blog, my rules. Jokes aside, making such short film takes so much effort and creativity that I’d award all filmmakers who choose this method. Besides, the production in this case might be quite unpredictable. I’ve read that the crew of today’s film left a part of the set outside and the unexpected rain changed the shape of it, which actually made it look unique and suitable for the story. That wouldn’t have happened if they were animating purely on the screen, right? If you’re still not a fan of this method, I hope “The Girl Who Cried Pearls” will change your mind. Enjoy!

My rating: 7/10
S.

I have absolutely no interest in myself whatsoever. “Blue Moon” (2025)

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directed by Richard Linklater
© 2025 Sony Pictures Classics. All Rights Reserved.

“You’re not old enough, let’s wait 12 years” – said the director of the film to Ethan Hawke. And they did. Some may think it’s ridiculous – they could have chosen any other older actor. But no, it was always supposed to be Ethan Hawke, and, to be honest, I’m grateful for this stubborness. The film focuses on the character of Lorenz Hart, a famous songwriter, whose work has been admired on Broadway. But it’s not another ordinary biopic with a predictable script, which is definitely a huge plus. We move to 1943, where Hart’s former work partner, Richard Rodgers (Andrew Scott), is celebrating the official premiere of his new musical “Oklahoma!”. The thing is Rodgers decided to cooperate with another writer, Oscar Hammerstein (Simon Delaney), so the night is quite bittersweet for Hart. He sits at the bar and begins a conversation (which is more of a monologue) with a bartender, during which we may learn more about his life, both personal and professional. In fact, the whole opening ceremony is just a background and the main action happens at the bar. At first, I was confused why it takes so long to begin the film, but then I realised that Hart’s monologuing is the main point. I must say, sometimes it was a bit tiring and I was zoning out, but the reason why I’m recommending this production to you is because of the unusual biopic form and Hawke’s performance. Even though my rating is quite average, I do believe Hawke deserved to be awarded for this role. It seems simple, but such are the most difficult to master. And he nailed it! Despite zoning out because of the script, I was absolutely amazed by the power of this character. Just to remind you – he’s just sitting at a bar and talking. That’s it. Yet, you become fascinated by him. Also, it’s a very moving way of presenting what loneliness may look like. That the drunk guy ordering another glass is in fact a lost soul unable to ask for help. I hope you’ll find a moment to see it and reflect on the story.

My rating: 6/10
S.

I shan’t marry, I shall draw. “Miss Potter” (2006)

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directed by Chris Noonan
© 2006 Momentum Pictures. All Rights Reserved.

Do you know Peter Rabbit? It’s a character of children’s books, but in case you have no idea, no worries. I actually learned about it at university and it’s a long story, so let’s move on to the plot of today’s film. Beatrix Potter (Renée Zellweger) is an aspiring author who wishes to publish her book, but nobody takes her seriously. First, because she’s a woman. Obviously, how surprising! Second, because she’s unmarried and way “too old” to be walking on this planet without a husband. You know, priorities. And third, because her book is for children and it’s full of pictures. Luckily, the Warnes’ family publishing house wanted to give their youngest brother something to do, so they decided to make him responsible for Beatrix’s book. At first, the author felt offended, but then, Norman (Ewan McGregor), turned out to be equally excited about Peter Rabbit and his adventures. Those two begin a fruitful cooperation, which, at some point, may evolve into something much more private. When I was watching this film, I kept thinking: that’s the 20th century Bridget Jones, I swear. And in fact, it kind of is, just less funny and a bit more dramatic. Anway, I could see a lot of Bridget in the character of Beatrix. They are both unique individuals, unlike people around them, with their own way of being and extraordinary dreams. At the same time, they keep on going and don’t let others impede them from succeeding. So if you’re in need for some women’s power kind of story with a romantic vibe and old clothes – then you should be thrilled. It’s a decent biography of Belatrix Potter, who made many children’s lives a bit brighter. And do you know how she came up with the idea to write such books? Her friend’s 5-year-old son was having health problems and, in order to cheer him up, Belatrix started writing him letters with drawings included. The boy’s mother suggested turning the stories from those letters into an actual book. “The Tale of Peter Rabbit” has become one of the best-selling books in the world. And all that thanks to a stubborn dreamer, a few letters and a happy kiddo.

My rating: 6/10
S.

Whiskey for the pain. “Together” (2025)

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directed by Michael Shanks
© 2025 Neon. All Rights Reserved.

Have you ever seen some couple acting as if they were glued to each other? Disgusting, I know. And there are clever people on this planet who decided to make a horror out of it. Genius, I know. And I watched it… and I enjoyed it. Masochistic, I know. But hey, since you keep reading this post, it means you’re also curious about this sick idea. So, let’s go! We get to know Millie and Tim (Alison Brie and Dave Franco), who have been a couple for several years and one of them wishes to take the next step, while the second one hesitates. They decide to move to a house in the countryside and… no, it’s not another haunted mansion, that would be too easy. The creepy part is more ridiculous. One day, the couple go on a hike and accidentally fall into an underground cave. They stay there for the night, during which Tim does something… silly (you will see) and in the morning, the lovebirds wake up attached to each other. Literally – their legs are kind of glued. Weird? That’s just the beginning, because after that night, Millie and Tim will stay very, very close… At first, I was rather confused and didn’t like the chaos I experienced, but the longer I was watching, the more I understood this film’s form. It is a horror, but you are supposed to have fun during it as well. So if you don’t take those scenes seriously and don’t expect to get scared, then I’m sure you’ll enjoy it. The film is a bit disgusting (or more than a bit, depending on your sensitivity), but it’s also a romance, which is highly visible between Millie and Tim. Personally, I was just guessing that the filmmakers wanted to mock those real-life “glued” couples and it made the whole experience an absolute blast. When you see such people in public, don’t you think “oh just eat each other finally, for god’s sake…”? Well, I do. And this horror kind of made my dream come true. Also, the ending was quite surprising to me, which doesn’t often happen when I watch spooky films. Maybe it’s not a perfect production, but it’s definitely fresh and that’s what I appreciate the most.

My rating: 7/10
S.

To live with our hearts open. “Hamnet” (2025)

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directed by Chloé Zhao
© 2025 Focus Features. All Rights Reserved.

Oscars are coming, but I do not really care. Because if “Hamnet” doesn’t win as the Best Picture, I don’t even want to hear about it. According to me, no film of the nominees is as good as “Hamnet”. Not even close. If you want to see a quality cinema with spectacular acting, amazing costumes and production design, engaging story full of real emotions – then that’s it. Chloé Zhao takes us back to the times of William Shakespeare, but, unlike in other films, the spotlight is put on his wife, Agnes Hathaway (Jessie Buckley). She’s said to be a forest witch’s daughter, which seems to attract William (Paul Mescal) even more. Well, he had a specific type, can’t lie. He’s fascinated by Agnes’ bravery and love for nature, while she’s mesmerised by William’s imagination and storytelling skills. Those two fall in love and have 3 children, which seems like a perfect life. Unfortunately, William spends a lot of time in London working on his plays, while Agnes misses his presence at home. The things get even more complicated when their only son, Hamnet (Jacobi Jupe), is suffering from a serious illness and Agnes’ healing skills seem to be insufficient. I don’t want to spoil more, because it’s really worth experiencing this story to the fullest. Since we know very little about Shakespeare’s family life, the screenplay is fictional, but there are several facts it’s based on. I feel like Chloé Zhao wanted to create the character of Agnes to show she’s more than just a famous writer’s wife. That she had to be a strong individual to go through the reality she was living in. It’s a story about how unusual love can be and how differently each person searches for ease in case of experiencing incredible pain. What Jessie Buckley does in this film is… out of this world. I had chills watching each scene and she made me forget it’s not real. But Jessie’s emotions were beyond being real. Thanks to her, the character of Agnes was complete. Also, she represents the uniqueness of women, which may show in numerous ways, far from common stereotypes. But at the same time, the film doesn’t make William the bad one. Instead, we get the message that those two needed to complement each other, even though they were different human beings with their own needs, values and weaknesses. To me, this film is also a lesson that a quality relation may flourish in unprecedented circumstances and it’s important to connect on a profound level. Anything shallow is of little importance. I believe each person may benefit from seeing “Hamnet” and get whatever they need from it at the moment. I did and I’m thankful. This is the best picture of 2025. Nothing more to add.

My rating: 9/10
S.

I’m afraid of dying lonely. “My Favourite Cake” (“Keyke mahboobe man”, 2024)

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directed by Maryam Moghaddam & Behtash Sanaeeha
© 2024 Totem Films. All Rights Reserved.

Is regime a good environment for artistic creativity? Well, that’s a controversial topic, but this film supports the statement. Difficult circumstances often lead to the need for expressing our disagreement and wish for change. Obviously, if I could choose myself, I wouldn’t like anyone to live in fear just for the sake of potential art pieces being made. However, today’s recommendation is an important say on the Iranian women’s rights problem. Now you know where I’m taking you – and to be exact, it’s Tehran. There, we meet Mahin (Lily Farhadpour), a 70-year-old widow, who’s been living alone for about 30 years. In Iran, women are allowed to get married again, but it’s not socially acceptable, so most widows decide to stay single till the end of their lives. Still, despite the reality in the country, Mahin craves company and intimacy. Therefore, she makes a brave move and invites Faramarz (Esmail Mehrabi), a taxi driver, to spend the evening at her house. That’s just the beginning of an unusual experience for both of them. To be honest, the ending really shocked me, so if you have any guesses what kind of story that is, you may also get confused. At first, I was irritated by the plot twist, but then I realised that it makes the film even more meaningful. Generally, I’m a fan of putting the spotlight on characters that are often forgotten in our everyday life, and I feel like an elderly widow is a perfect example. Especially, the one living in a country where all women are kind of invisible and ignored. This story reminds us that no matter what the political situation looks like, being an obedient citizen doesn’t mean they accept their reality. We’re all in need of affection and I bet most of us are scared of loneliness, so why would we force someone to suffer. Is it really such a crime if a woman finds a new companion in life? Does she hurt anyone by dancing and singing? Is it illegal to feel happy? Apparently, it is. And all this insanity you can experience while watching today’s film. I wish you a deep reflection. Keep in mind that the filmmakers faced legal problems and were even banned from travelling. Decide yourself whether that was really necessary to hold them accountable.

My rating: 7/10
S.