directed by Andres Veiel

When I was a student of Film Studies, we had this one year-long course about documentaries. Personally, I loved each class of it because I learned a lot about the history of making such films. One day, we were discussing Leni Riefenstahl, a German filmmaker, and we got to see her productions. If you haven’t heard of her, let me just add that she was born in 1902, so do some maths and you’ll perhaps guess what kind of documentaries she was making. Yes, she was responsible for directing the films ordered by the one and only screaming man with a ridiculous moustache. Considering this fact, her work should have been banned, but the problem is that those productions are of magnificent quality. And here comes the main question film critics have been asking themselves for years: should we praise or despise her? Today’s documentary is presenting her whole life and work, including numerous interviews with Leni and difficult conversations around this topic. She was always saying that she’s a filmmaker who makes art, so she’s not supporting any political decisions and actions. However, by making a film about the greatness of Germany back then, she definitely supported the positive image of Hitler. And that puts us, viewers and film critics, in an uncomfortable position, because if she admitted she was a great filmmaker in the hands of the screaming guy, we would have a much easier job to do. What I mean is that if we got this statement from her, we would consider her a talented director among nazis. Period. I’m sure she’d still be disrespected by her personal choices, but we could say “yes, she was doing wrong, but technically her films are brilliant”. But since she’s always defended herself claiming she’s just an unaware artist, it complicates everything. Because it’s truly hard to imagine that she was making all those films unaware of what she’s supporting. I can believe that some people didn’t know what’s going on back then, because that’s how propaganda works – it makes you feel like we’re the good ones, and only those others are pure evil. However, in the documentary I’m recommending to you today, we get the evidence that Leni knew exactly what game she’s playing. I mean, if you witness a shooting of innocent people, then you must react to that. To be honest, I’m not angry that she was working for Hitler (either it was for money or for fame), but I’m angry about the fact she couldn’t stand up and admit it. To me, she was an artist, a horribly talented filmmaker, and she used her chance to make films. It wasn’t moral and right, but she took her chance. That’s my personal opinion. So it’s hard for me to respect her as a person, but when it comes to her films – those are indeed pieces of art and important elements of film history. Even if they are full of propaganda, she was a pioneer and I truly recommend you to see her work. And Leni herself… I’ll leave her for you to judge.
My rating: 7/10
S.








