directed by Ron Howard

Today, I’m taking you to a newspaper office, where you’re going to have a short internship. We’re following Henry (Michael Keaton), the editor of The New York Sun, a tabloid paper. Working there means you need to drink a lot of coffee, stay glued to the phone (and back then they weren’t using cellphones, so imagine the struggle), walk and talk super fast, and also ignore the fact that you get paid a lame amount of money for all this effort. However, Henry seems to like his job very much, but he also wishes to move his career forward and try working in a slightly more prestigious office. We’re watching one day of his workday, during which he has to make a difficult decision. Two bodies of white businessmen have been found. According to the police, two African-American teenagers are the responsible ones for this crime. In Henry’s opinion, it’s just an unfounded arrest, and when he gets the information that proves the boys’ innocense, the newspaper office has to choose between bad and worse. They may either publish the next-day paper sharing the police’s statement, or they may actually inform the public that the teenagers aren’t guilty. The first choice is wrong from the moral point of view, but the second one might have serious consequences on the whole team. Except a thrilling case, we also get a picture of a typical workday at an editorial office, which looks interesting for an ordinary viewer. There are also numerous jokes typical for this profession and those times, so the film can be highly enjoyable for many people. And if you’re planning to study journalism, maybe it’s the best thing to see before choosing your path. You’re welcome.
My rating: 7/10
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