Are you expecting it to be safe? “Beau Is Afraid” (2023)

directed by Ari Aster
© 2023 A24. All Rights Reserved.

Ari, Ari, Ari… I admire this man so much for his bravery to make films that are so unusual that there’s a huge risk of not reaching to many viewers. However, his work is loved not only by me, but millions of other cinephiles, and perhaps that’s why I had such big expectations before watching today’s film. As you see, I’m still recommending it, so I did like it in the end, but it’s definitely not my favourite production by Ari Aster. In this story we get to know Beau (Joaquin Phoenix), a middle-aged man living alone in a really dangerous city. He struggles with a serious anxiety and has to be taking meds in order to function. Beau is preparing for visiting his mother, who is a wealthy and successful person, but because of certain reasons he misses the flight and has to come up with some other way to reach her. Things get complicated and the man doesn’t know how to solve his newly occurring problems, yet he really needs to visit his mother as he’s afraid to disappoint her. And that’s all you can learn from me about the plot, because what happens next is too strange to even describe it. The film is 3 hours long and I think that after 2,5h I was still not convinced about the point of making this production. Why did he do it? It’s so messy, it’s way too much in every single aspect, it’s horribly inconsistent in its form… but then the ending happened and everything became clear to me. I’m not going to spoil much, but I do want to share my interpretation of this film, so if you haven’t seen it, here’s a warning. So… I’m not sure what other people see in this story, but to me it’s an incredibly important issue that Ari has addressed. I believe that Beau is an example of a grown-up man who has been highly traumatised by his mother. You may say – nothing new, we have many stories like that. Indeed, but here we kind of indirectly focus on the character of the mother – she represents women who decide to have children without a pinch of awareness what raising a human being really means. His mother has been accusing Beau for everything from the very beginning and the boy grew up constantly feeling like a failure. If you watch closely, he keeps apologising for things he’s not even responsible for. Here’s a small spoiler – remember the messages he was getting in his flat about being noisy even though he wasn’t noisy at all? Maybe I’m wrong, but to me it was supposed to show us that the world keeps searching for someone to blame and we have to have a thick skin not to let them destroy us. Beau was raised as his mother’s personal toy to blame, so he didn’t have a chance to adapt to the real world. His parent didn’t support him in strengthening his self-esteem and finding his personal value, so he ended up feeling constantly anxious and worthless. The ending hit me the most because it showed how little we care about helping traumatised people. It wasn’t Beau’s fault to be born in such family, so from the very beginning he was left alone to learn and deal with everything our reality has to offer. And what do we do as society? We ignore. We judge. We reject. The idea for this production was marvellous and I’m thankful that it was made. However, in my opinion Ari couldn’t decide about the form and went for them all. “Hey, Ari, which form is your film going to be in?” – “Yes.” At some points it was even tacky, so that is why I cannot rate it higher. But for the sake of the messages coming out of this production – I definitely recommend you to see it.

My rating: 6/10
S.

That’s our tradition. “Midsommar” (2019)

directed by Ari Aster
© 2019 A24. All Rights Reserved.

A lot of people were telling me about this film and when it was screening in cinemas, I remember I couldn’t go for some reason. And then I promised myself to watch it as soon as it gets released. Days were passing and I kind of forgot about this production. But recently I reminded myself about it and thought that I’ll use my day off to see it. I must tell you that watching this film during the day, when it’s still bright outside, made the whole experience a lot different. Better, in my opinion. Still, for those who have no idea what I’m talking about, I’m presenting you “Midsommar”. It tells the story of a group of young people going to Sweden to take part in a midsummer celebration together with some mysterious commune. I don’t want to explain you the relations between those young people because it would take too long and, in my opinion, that’s the least interesting part of the film. I mean, I completely don’t understand why they needed to make all this drama in the first 30 minutes of the film. So my hint – just survive the first half hour. And then they join the commune so the adventure begins. Everything seems so peaceful and pure there. People are incredibly hospitable and the group of friends feel taken care of. Until the moment when this adorable picture becomes a horror. And surprisingly, this film isn’t disgusting and there are no paranormal activities happening. It’s just a midsummer celebration with a group of people following their traditions. And personally, I’m buying it. I like then filmmakers try new things and not copy-paste the same creepy guys with axes or ghosts opening doors at night. This horror is glamorous, subtle and serene, but at the same time you feel uncomfortable and something is hurting you from the inside. I was absolutely amazed by the camera work and how the whole story was told. Especially the ending, which was throwing questions at me that I couldn’t answer myself. And that music after the ending – such a small thing and yet made me clap my hands. Creepy, I know. Still, I’d love to discuss this film with the filmmakers because I feel like there’s a bunch of hidden messages that are difficult to read on your own. I actually feel like I’ll return to this production and see it again some day, because it’s more of an unusual experience that just a scary story.

My rating: 8/10
S.

Once upon a dollhouse. “Hereditary” (2018)

directed by Ari Aster
© 2018 A24. All Rights Reserved.

One of the most underrated actresses, ladies and gentlemen! Toni Collette, who has stolen my heart in “United States of Tara” (2009 – 2011), did another amazing job, this time in a horror. I was actually pretty much surprised that she had accepted such role as I couldn’t imagine how it would work. But it did! Before watching “Hereditary”, I read several reviews which said that it’s the scariest horror of 2018. Maybe that’s why each evening I was telling myself “no, not this one, watch it in the morning”. And then one morning came. And you know what? It’s not scary at all. It’s not a typical horror full of jump scares or other disgusting creatures running after silly people who don’t know how to close the door or use an axe. This film is truly disturbing. Watching it is like some kind of hypnosis during which you’re remembering your deepest fears. I don’t recommend to watch it in the evening, though. Otherwise you may spend several hours in bed thinking of what what you saw. Last thing – acting is gold in this one, see it yourself.

My rating: 7/10
S.